![]() The Gaithers' deliberate racial integration of their stages, their careful articulation of a relatively inclusive evangelical theology, and their experiments with an array of musical forms demonstrate that the Homecoming is neither simplistically nostalgic, nor solely "southern." But amidst the backward gazes, the Homecomings also portend and manifest change. ![]() The Homecomings' nostalgic orientation-their celebration of "traditional" kinds of American Christian life-harmonize well with southern gospel music, past and present. ![]() The Homecomings represent "southern gospel." Typically that means a musical style popular among white evangelical Christians in the American South and Midwest, and it sometimes overlaps in style, theme, and audience with country music. Harper examines songwriters Bill and Gloria Gaither's Homecoming video and concert series-a gospel music franchise that, since its beginning in 1991, has outperformed all Christian and much secular popular music on the American music market. In The Gaithers and Southern Gospel, Ryan P.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |